II. Journal Articles: updated on Dec. 22, 2000.

English: (review of books, recordings, etc. and newspaper cuts were not included.)

1. Geoffery Sharp: "Furtwangler", The Music Review, vol. 16, 1955, pp.1.

2. Everett Helm: "Furtwangler and his Book: Concerning Music", The Music Review, vol. 16, 1955, pp. 5.

3. Andrew Porter: "Furtwangler Recalled", The Gramophone (UK), Jan. 1955, pp. 342.

4. Robert Charles Marsh: "Furtwangler and his Legancy, High Fidelity, Apr. 1955, pp. 36.

5. Hans Keller: "Wilhelm Furtwangler 1886-1954, an Appreciation", Opera, No. 6, 1955, pp. 99.

6. Paul Moor: "The Operator (Karajan)", High Fidelity, Oct. 1957, pp. 52-5, pp. 190.

7. Peter J. Pirie: "Toscanini and Furtwangler; an Empire Divided", High Fidelity, Apr. 1960, pp. 37.

8. Alan Rich: "Wilhelm Furtwangler; A Luminous Probing", High Fidelity, Sep. 1964, pp. 47.

9. David Hamilton: "Furtwängler versus Toscanini", High Fidelity, February 1968

10. "Television Interview with George Solti", The Gramophone (UK), Apr. 1968.

11. Marcella Barzetti: Wilhelm Furtwängler as a Symphonic Conductor, Recorded Sound, July 1970.

12. Peter Andry: "The strange case of the Furtwängler Ring", High Fidelity, December 1972.

13. Elisabeth Furtwängler with Carleton Smith: "My Husband", Opera News, December 1972.

14. Wilhelm Furtwangler: "Anton Bruckner (translated by Peter Palmer)", Music and Musician, No.23, Sep. 1974, pp. 26.

15. Daniel Gillis: "Furtwangler: Twenty Years Later", The Music Review, Aug. 1976, vol. 37, pp. 227.

16. Robert Angus: "Pirates, Prima Donna, and Plain White Wrappers", High Fidelity, December 1976.

17. B. H. Haggin: "Vienna's Great Conductors; Burghauser's Memories", Encounter (UK), Jul. 1977. pp.19 - 40.

18. Yehudi Menuhin: "Furtwangler & Toscanini", Encounter (UK), Dec. 1977, pp. 88 - 90.

19. Richard Osborne: "Review of Furtwangler's Ninth 1951 Bayreuth HMV RLS727", The Gramophone (UK), April 1978.

20. "An Interview with Claudio Arrau of 75th Birthday", The Gramophone (UK), Apr. 1978.

21. Thomas Heinitz: "___", Records and Recordings (UK), Jan 1979, p. 20.

22. Kenneth Dekay: "The Furtwangler Repertoire", Kastlemusick Monthly Bulletin, Oct. 1979.

23. Robert Matthew-Walker: "Furtwangler", Hi-Fi News and Record Review, December 1979.

24. Alan Blyth: "Barenboim on Furtwangler", The Gramophone (UK), ?, 1979.

25. David Hamilton: "Mathis: Noble Failure; Long a subject of political and aesthetic debate, Hindemith's historic opera here receives its first complete recording", High Fidelity, Feb. 1980.

26. Kenneth Dekay: "Furtwangler and the Standard Repertoire", Kastlemusick Monthly Bulletin, May, 1980.

27. Rudolph Sabor: "An Interview with Elisabeth Schwarzkopf", Records and Recordings (UK), May 1980.

28. B. H. Haggin: "Vienna's Great Conductors I", Ovation, Aug. 1980.

29. B. H. Haggin: "Vienna's Great Conductors II", Ovation, Sep. 1980.

30. B. H. Haggin: "Vienna's Great Conductors III", Ovation, Oct. 1980.

31. B. H. Haggin: "Vienna's Great Conductors IV", Ovation, Nov. 1980.

32. B. H. Haggin: "Vienna's Great Conductors V", Ovation, Dec 1980.

33. David Hamilton: "Misremembering Bayreuth", High Fidelity, April 1982.

34. Sam H. Shirakawa: "Reginald Goodall: Opera's Oldest Wunderkind", Ovation, __, 1982.

35. Joseph Horowitz: "Sixty-Eight Years of the Berlin Philharmonic", High Fidelity, Dec. 1982, pp. 63-66.

36. ?: "An Interview with Claudio Arrau", Opera News, April 1983, page 62.

37. Richard Osborne: "The Other Side of Furtwangler", Radio Three, Feb. 1984.

38. John Ardoin: "Furtwangler and Opera; Part one; Gluck, Beethoven and Weber", The Opera Quarterly, Vol. 2, No. 1, Spring 1984, University of North Carolina Press.

39. John Ardoin: "Furtwangler and Opera; Part Two; Mozart", The Opera Quarterly, Vol. 2, No. 2, Summer 1984, University of North Carolina Press.

40. John Ardoin: "Furtwangler and Opera; Part Three;Verdi and Wagner", The Opera Quarterly, Vol. 2, No. 4, Winter 1984/85, University of North Carolina Press.

41. John Ardoin: "Furtwangler and Opera; Part Four; Der Ring des Nibelungen", The Opera Quarterly, Vol. 3, No. 1, Spring 1985, University of North Carolina Press.

42. "On Fonoteam's Wagner-Furtwängler", ARSC Journal, Association for Records Sound Collection, 1984, Vol 16:1/2.

43. G. Davis: "Furtwangler's Peerless Way with Tristan und Isolde", The Gramophone (UK), Nov. 1984.

44. Henry Fogel: "The Art of Wilhelm Furtwängler", Keynote, New York, Nov. 1986.

45. William H. Youngren: "The Symphonic Furtwangler", High Fidelity, Jan. 1987, pp. 77.

46. Jessica Duchen: "Gioconda De Vito: In Vito Veritas; for her 80 birthday", The Strad (UK), July, 1987.

47. David Hamilton: "The Furtwängler Centenary Harvest: A mistirous process explored", Opus, August 1987, pp. 24.

48. Richard Taruskin: "Resisting the Ninth", 19th Century Music, University of California Press, Vol.12, No.3, 1989

49. "Interview with Klaus Heyman" (owner of Marco Polo/Naxos label), Fanfare, vol. 12, No .?, 1989. (about the scores of Furtwangler)

50. Ernst A. Lumpe: "Pseudonymous Performers on Early LP Records: Rumours", ARSC Journal, Association for Records Sound Collection, 1990, Vol. 21, No. 2.

51. James Jolly: "75th Birthday Interview of Schwarzkopf", The Gramophone (UK), December 1990.

52. Stephen Johnson: "Beethoven Symphony Cycles on CD", The Gramophone (UK), December 1990.

53. Alfred Brendel: "On Wilhelm Furtwangler", The New York Review of Books, Mar. 28, 1991.

54. Thomas Simone: "The Sound of Furtwangler", Recollection Quarterly, 1991.

55.  Michael Tanner: "Conductors as Composers", Classic CD, April 1991.

56. Giles Macdonogh: "Conduct Unbecoming; Furtwangler vs. Karajan Who came to the aid of the party?", Opera Now, Apr. 1991, pp. 6-11.

57. Henry Fogel: "Furtwangler's 1954 Don Giovanni", Fanfare, vol. 15, No .3, 1992, pp. 472.

58. Robin Holloway: "Turn of Screw; Furtwangler the composer", The Spectator (UK), 15 Aug. 1992.

59. Richard J. Evans: "Furtwangler and the Nazis", The Time Literary Supplement, Nov. 13, 1992.

60. Eugene Kaskey: "The Devil is in the Details", Wagner Notes, Dec. 1992.

61. Samuel Lipman: "Furtwängler and the Nazis", Commentary, Vol. 95, No. 3, March 1993.

62. Robert Craft: "The Furtwangler Engima", The New York Review of Books, Oct. 7, 1993.

63. Andrew Gray: "Review of Sam H. Shirakawa's The Devil's Music Master: The Controversial Life and Career of Wilhelm Furtwängler", The Journal of Historical Review, volume 14 no. 1 (January/February 1994), p. 41.

64. Werner Thärichen (trans. Henry Pleasants), "Furtwängler and Karajan as Conductors," THE OPERA QUARTERLY, vol. 11, no. 1, 1994, University of North Carolina Press, pp. 19–27.  (This is an excerpt from a book by Werner Thärichen entitled "PAUKENSCHLÄGE: FURTWÄNGLER ODER KARAJAN ?", Zurich: M&T Verlag, 1987.)

65. John Hunt: "Furtwaengler's Bayreuth Beethoven Ninth", ICRC (International Classical Record Collector), published by Gramophone (UK), Autumn, September 1995, pp. 45-48.

66. Robert Angus: "Urania: The Mystery label that keeps coming back",  ICRC (International Classical Record Collector), published by Gramophone (UK), Autumn, 1996, page 18-23.

67. Alan Sanders: "A postscript to Robert Angus' Urania: The Mystery label that keeps coming back in Autumn, 1996, ICRC",  ICRC (International Classical Record Collector), published by Gramophone (UK), Spring, 1997, pp. 56-58.

68. Ernst A. Lumpe: "Pseudonymous Performers on Early LP Records: An Updated", ARSC Journal, Association for Records Sound Collection, 1997, Vol. 27, No. 1.

69. Peter Gutman: "Wilhelm Furtwängler Genius Forged in the Cauldron of War-", Goldmine, March 15, 1996.

70. Rober Cowan: "A master of musical intuition-the art of Wilhelm Furtwängler", The Gramophone (UK), December 1996.

71. "Le Grand Baton", Journal of The Sir Thomas Beecham Society, 85 Morningside Drive, Falling Waters, WV 25419, USA.

      Number 39  (1977,  Vol. 14, No. 4)  -"Stokowski issue":
         Kenneth DeKay: "Beecham, Furtwangler, & Mendelssohn", pp. 13.
         Harry W. WcCraw: "Furtwangler Abroad; A Critical Discography of His Non-German Recordings", pp. 24-19.
         "Sir Thomas Beecham's Memorial to Furtwangler", pp. 24-26.

      Number 44  (1979, Vol. 16, No. 4):
           Philip J. Conole: "Furtwangler" (reprinted from Le Grand Baton #2), pp. 37 - 43.
           John Hunt:  "Wilhelm Furtwangler", pp. 40.
           Eugene Kaskey: "Furtwangler--The Unforgettable Sounds", pp. 41-43.

      Number 46   (19  , Vol.   , No.  ):
           Harry Goldstonepp: "The Dichotomies That Bedevilled the Career of Wilhelm Furtwangler", pp. 11 - 13.

      Number 65  (1994,  Vol. 25, No. 2)  -"Furtwangler issue"
          Eugene Kaskey: "Wilhelm Furtwangler 1886-1954", pp.3-15.
          Wilhelm Furtwangerl: "About the Handicraft of the Conductor", pp. 16-18.
          Kenneth DeKay: "Musician are Musicians!", pp. 19
          Eugene Kaskey: "The Genius of Wilhelm Furtwangler", pp. 20-26
          John Hunt: "The Furtwangler Sound; Discography", pp. 26-55.
          Antal Dorati: "Anecdote of Furtwangler" (from his book Notes of Seven Decades), pp. 70.

      Number 68  (1996,  Vol. 27, No. 1):
           Bill Flowers: "Oskar Fried: Furtwangler's Great Contemporary?", pp. 27-29.

72. Antony Charles:  "Wilhelm Furtwängler and Music in the Third Reich", The Journal of Historical Review, vol. 17, No. 3, May/June 1998, pp. 2.

73. Terry Teachout: "The Trouble with Karajan", Commentary, Vol. 110, No.5, May  2000.

74. Humphrey Burton: "The Genuine Menuhin", BBC Music (UK), Nov. 2000, pp. 36~42. (a great tributes to Menuhin, with 20 valuable hotos of Menuhin, of which one is at the Kentner wedding in Zurich 1946 with Louis Kentner, Furtwaengler, Griselda Kentner, Elisabeth Furtwangler, Diana Gould- the future Mrs Menuhin)

75. Joel Lazar: "Jascha Horenstein; Conductor without Portfolio", Gramophone (UK), Nov. 2000, pp. 32-33. (Mr. Lazar, former assistant of Jascha Horenstein, published a two-pages article', referring among others to JH's relations with Furtwangler and to the Furtwanglerian--BPO Klangideal Horenstein cherished all his life.)
 

German:

1. "Den Erben Kennt Keiner: Furtwaengler-Nachfolge", Der Spiegel, 8 Dec. 1954. (most famours political weekly magazine, the article
discussed questions of who should follow on the post of head of the BPO aftere WF's death.)

1. O. Jonas: "Heinrich Schenker und Grosse Interpreten", ÖMZ (Österreichische Musikzeitschrift), Vienna, No. xix, 1965.

2. Feter Fuhrmann: "Beethoven and Furtwangler - Two Great Figures of Fate", Fono Forum, Mar. 1977.

3. Dissonanz Magazine, Nr. 51, February 1997, Dissonanz, Dubsstr. 33, CH-8003 Zurich, Swiss, Tel ++41 1 450 34 93, Fax ++41 1 450 34 76 (contained two articles:.1. Christian von Borries:  "Willem Mengelberg, ein Vergessener Grosser Dirigent Zwischen Mahler und Hitler.  2. Chris Wlaton:  Wilhelm Furtwanglers Apologia pro vita sua. pages 4 - 25)

4. Klaus Lang: "Ein Stückhen Frieden Im Krieg", Fono Forum, Aug. 1989, pp. 16-20. (reporting about the tapes which were handed back to Germany from Moscow)

5. "Interview of Frau Furtwaengler", Fono Forum, March 1999. (4 pages of an interview of Frau Furtwaengle, total 11 pages on WF.)

6. "Die Sinfonie als Psychogramm - Wilhelm Furtwaengler", Fono Forum, June 1999, pp. 42 - 45.
    (Arte Nova has just published (on 2 CDs) a recording of Furtwaengler's 1st symphony, also with the Staatskapelle Weimar under Albrecht. And, like 3rd, for the first time with the use of the revised, complete score. This article complained, the sound of the 3rd is a bit dull, but the 1st is recorded in a new location, so the sound should be better.)

7. Peter Gülke: "W.Furtwängler", in  "N.Z.F. Musik" (Neue Zeitschrift für Musik), Schott, Mainz, LXXV, 1964, pp.476ff.

8. G. Kaufmann: "Wilhelm  Furtwängler als Interpret", in "Jahrbuch f. Aesthetik u. allgemeine Kunstwissenschaft" (a yearbook, from 1951 - 1965), Cologne, vol. X ,1965.

French:

1. "Furtwängler", a special topic, Crescendo, Belgium , Nov. 1994. (WF on the cover, 16 pages on WF, 15 photos of WF.)

Itlaian:

1. Fr. Winckel: "Die Dirigierbewegung Wilhelm Furtwänglers", "Musica", IX,1955.

2.  "Furtwängler", Symphonia, Nr. 17, published by Ermitage / Aura, Italy, June 1992.

3. "Furtwnalger", "La grande musica del Festival di Salisburgo",  No. 6, 1996, published by DeAgostini, Italy. (1 magazine + 1 CD, with CD: DeAGOSTINI FS96CD06-2, 1996, Beethoven Sym No.7, 8, 1954.8.30 live)

Spainish:

1. "Furtwangler"; special topic, "Scherzo" magazine, February 1986, Madrid, Spain. (17 pages devoted to Furtwangler with photos,  Furtwangler on the cover.)